Indaba Enables Online Collaboration From Recording To Remix
Indaba enables online collaborative music creation and with the release of its new online console that means from the recording basic tracks to the the final mix. For prices ranging from free to $25 per month, musicians can meet and record privately or open their mixes to the wider Inadaba community creating unique and spontaneous overdubs and remixes .
Johnny Legend, Yo-Yo Ma, The Roots and Derek Trucks are among the better known artists that have held open mix contests on the site. But there are also hundreds of musicians and mix masters of all styles ready to add to any creation. Watch the demo video for more:
This really is incredible. For those of us in the mastering world, we are excited to see what comes from this type of collaboration. There is new potential for creativity and even for fan involvement by creating music “in the cloud.” It is also worth noting that as newer tools have made capturing audio easier, and the mixing stage more open and accessible to the musicians themselves, the recording projects that have the best total production are still more widely accepted by listeners/consumers. I recommend help from professionals even if an artist wants to do it all the work themselves, especially if he or she wants to profit from mass distribution.
With the internet and digital technologies driving rapid change within the music industry, articles about new releases and who has been hired and fired are no longer enough. Our up to the minute industry news alongside insightful commentary helps our readers sift through the rumors and developments to find the information they need to keep their businesses moving forward.
Hypebot is read daily by more than 30,000 music industry professionals including executives and senior staff of music related tech firms, internet based music sites, every major label group and most indies as well as many managers, artists and members of the live music community:
This really is incredible. For those of us in the mastering world, we are excited to see what comes from this type of collaboration. There is new potential for creativity and even for fan involvement by creating music “in the cloud.”
It is also worth noting that as newer tools have made capturing audio easier, and the mixing stage more open and accessible to the musicians themselves, the recording projects that have the best total production are still more widely accepted by listeners/consumers.
I recommend help from professionals even if an artist wants to do it all the work themselves, especially if he or she wants to profit from mass distribution.