By Adam Singer of The Future Buzz.
[Summary as this is a long post]: SoundCloudâs content ID, implemented due to pressure from record labels, incorrectly flagged one of my uploads as infringing material. As a paying customer and huge fan of SoundCloud I am fearful clueless labels may be senselessly setting a precedent that will destroy the webâs best music platform and community for independent artists. Not to mention cost labels profits, fans and perhaps create a backlash against record labels altogether â who as overly litigious middlemen could be irrelevant in a digital future.]
Iâve already written posts bemoaning industries who cling to the past particularly on issues like copyright. But Iâve typically shared examples of other people and brands put in these ridiculous situations that benefit no one.
Inevitably, I now have a personal story of overly aggressive copyright holders going after my own art.
First some quick context: for those who donât know, when not working in tech or blogging I produce and mix downtempo electronic music. Itâs a relatively obscure genre and one of the best ways to find new artists is through mix sets. One of the biggest reasons I create them is to uncover hidden gems and unknown artists to share with new listeners. In all cases, the songs are mixed, edited and include FX. This means it would basically be impossible to rip off a single song as a stand alone element, it is part of a larger production. I also gladly pay for the songs I use to support the artists and help them reach new listeners. This is the entire function of this genre of music: itâs hobbyist and word of mouth driven.
What happens next is if a listener enjoyed one of the specific tracks or artists on a mix theyâll seek it out on their own (tracklists are always included) and purchase a copy of that song (or even a whole album), start to attend that artistâs concerts, look for future releases and potentially become a true fan. This find-ability is important for artists of all sizes but particularly up-and-coming artists. In fact, I would say that all artists, except perhaps those at the âmega fameâ level who lack empathy for their fans and their less famous artistic peers (so all but .01%) would be happy their works were adapted by others for their own projects. For digital creations more circulation always increases its value. In cases the work is adapted or built upon this is even more so (people will seek out the original). And anyway, from a copyright standpoint this seems like a clear cut case of fair use, one youâd have to be a special kind of hater of art to go after.
So if you were a label publishing anything in an obscure genre certainly youâd be interested in hearing your artistâs music reach new listeners, as well as keeping the âconnectorsâ of the genre (who, by the way, are *always* paying customers and easily most frequent purchasers) interested in using your art as part of their works. Right? In a sane world, yes. In our illogical world of copyright insanity, nope. Itâs no wonder the industry is suffering, theyâre fighting the future and driving us away from their labels and artists.
Copyright itself is broken and in reality needs to be scratched / built back from the ground up to work in a digital world to not hinder the creation of new works and frustrate artists and fans. But that doesnât mean in the meantime labels canât treat fans well and let artists freely engage with and adapt their work. Itâs a shame this isnât frequently the case.
On to what happened: I just finished a new mix to kick off 2014 and in addition to publishing it on my music blog, I decided to upload it to SoundCloud to share with listeners there.
About a minute after the upload had finished, I noticed it disappeared from my SoundCloud dashboard. What had happened? I received the following email from SoundCloud â apparently my mix (which is 100% legal / fair use) had tripped their Content ID which scans for copyright material being used illegally:
I was pretty shocked, as I pay for all the songs I use in my mixes, source credit appropriately and happily support the artists and labels I like. According to the copyright warning, my mix included a track that on a label called Merge Records. But wait! My version of the song purchased was not on Merge Records, the remix I used was released on a different label and was incorrectly flagged. I pulled up my receipt of my Beatport purchase and confirmed that, in fact this song was released on a label called Sonar Kollektiv who does allow their music to be used in other artistâs works:
I was curious so went to the song page on Beatport to explore more, and discovered that this labelâs version was in fact being used by others in mixes and charts:
I sent an appeal to SoundCloud, but of course itâs still pending while everyoneâs time is wasted. Hereâs hoping sanity prevails, but the point is as a paying user of SoundCloud I expect to be able to share my work instantly. Otherwise, why would I pay for their service when I can upload to my own domain and not deal with blocks to sharing my own art? Hosting is cheap, SoundCloud is easily making huge margins from me (and other users) hosting a few GBs on their servers, youâd think theyâd be catering to their customers and not copyright lawyers from overly aggressive, anti-Internet record labels. Subscription service 101: focus on the user.
To labels: Iâve created at least 30 mixes over the last 10+ years and 100% of the time, until today, the labels and artists were excited I was using their work and the exposure they received. Iâve gotten plenty of emails from artists thanking me for using their creations. And Iâm equally excited when others use my tracks in their mixes. There is a long tail of artists out there and personally I donât have any interest dealing with those not supporting an open culture in music. It makes no sense to get involved in music in the first place if you donât want to be a part of a creative and collaborative process.
I wanted some outside feedback, so today I chatted with some of my artist peers who have also had their content pulled without warning from SoundCloud. Again, in this case the artists I spoke with do not profit from their work. They create it as a labor of love, and SoundCloud is their platform of choice they pay to use as a hobbyist. Why a record label (shockingly the example above is an independent one) would want to try to stop themselves from being a part of digital culture is insane. Is it possible an indie label is that out of touch with the world and doesnât realize this type of art music is ingrained in remix culture? My SoundCloud issue will likely get resolved, but that last sentence is really the scary part. Digital is the best free marketing machine for their work there is. The artists on these labels should think carefully about if they want to align themselves with a brand hurting their relationships with their biggest fans. Youâll never build a reputation by treating your users like criminals. Iâd encourage anyone producing music to either go with a label that allows and encourages fair use of your work or skip having one altogether.
Back to SoundCloud, of course, I donât have to use it. I also hosted the mix on my own music domain here â available 100% for free to listen and download. The labels obviously have no grounds to send cease and desist letters to me for a case of clear fair use so thereâs never an issue with that. The reason they target SoundCloud is it seems like an easy thing to blame, freak out about the fact that someone else built a platform they didnât, and try to stop something that (was) a true artist community. For no benefit to them: at no point was SoundCloud a haven for piracy. So I think this is a huge mistake for SoundCloud to engage in this type of mass, automated enforcement of copyright police and cater to the whims of labels instead of their users.
A comment from another SoundCloud user on their new policy issuing content ID sums it up nicely:
This is a MAJOR mistake that is gonna cost you dearly. If you stop allowing djâs to upload their dj-mixes itâs just a matter of time before theyâll all be gone. Guaranteed. You should have stood up and fought for a new system, an elimination of the conservative thinking that is paralyzing the music industry. It would have gotten you legendary frontrunning status. But you â probably your spineless management â have conformed and thus failed, no matter how cool and nice youâre trying to sound in your statement. 100% wrong and an incredibly costly mistake. Youâll experience the consequences.
While harsh, this is legitimate. I understand the importance of not allowing individual songs to be posted to SoundCloud that are clearly someone elseâs intellectual property. But again, as a longtime SoundCloud user this was never an issue with the service. Rather than having a guilty until proven innocent policy, SoundCloud needs to determine a better way to manage the platform.
Beatport should be upset here too..
Iâm also really concerned for Beatport here. As a huge fan of them and having spent hundreds (maybe thousands) of dollars on their content sites like SoundCloud issuing content takedowns may cause me to stop supporting new artists if Iâm unable to use their work how I wish. I have a feature request for Beatport that could greatly help our whole industry: add a warning tag next to labels and songs engaged in policing their work against being mixed / remixed so as artists we can make the decision to purchase them or not. And I can almost guarantee a majority of users would only purchase from labels who allow use of their art, encouraging more artists to align with them. I certainly would.
Why is this happening? Fear. Not understanding how technology can benefit artists and labels alike. Yet the fear is illogical and the opportunity is here now: from a macro perspective, digital revenues for music continue to increase in share, up to 82.6% of total purchases in 2013.
The internet opens up a whole new world of creativity and legitimate uses for art. Yet what weâre seeing above is the old gaurd trying to put the genie back in the bottle and treat digital music as a scarce resource. The simple fact is music is now democratized to create and share, giving birth to a long-tail of artists, remixers and producers. But the music industry isnât interested in that. They want to manufacture and tightly control the creations of bland, vanilla artists that appeal to the masses (and as a by-product they donât care about artists and remixers).
Until recently the music culture I am a part of (electronic / jazz) has remained fairly underground and outside of this. But it seems like our culture may be on the cusp of ruin as well due to clueless labels and music executives who are anti-art and see their fans as line items on a balance sheet as opposed to humans. The artists themselves are in most cases complacent which is also sad.
Yet, despite all the âsky is fallingâ fear revenue in the music industry is up and piracy is down. My friends at Techdirt elegantly sum up this issue:
â¦the reason that music piracy is down and revenue is up is because the industry has finally started allowing more innovation into the market. Not surprisingly, this is exactly what weâve been arguing for years. If you let the tech industry create useful new services that better provide the public with what they want, you get services and products that people are willing to pay for. And when that happens, infringement decreases, because the legitimate and authorized services are better than infringing. Itâs why music infringement fell off a cliff in Sweden when Spotify launched there, despite also being the home of The Pirate Bay. Notably, when music infringement plummeted in Sweden, other types of infringement did not similarly drop.
In other words, for all the complaints about these new services, and the many, many attempts to hold them back or neuter them, letting new services grow and thrive seems to be the best âanti-piracyâ measure that the record labels could have used. And yet it still thinks it needs to focus on punishing fans and limiting services.
For me, personally Iâll continue to forgo having a label and publish all my music for free under a Creative Commons license. I still think it has never been a better time to be a fan or creator of music. For fans, the selection continues to widen and your ability to build an amazing library has never been easier. For producers software like Ableton puts studio-quality tools at your fingertips. Letâs hope the technology platforms do the right thing and donât ruin their products by bending to the whim of clueless labels stuck in the past.
Update: SoundCloud responded to me, they still refuse to let me publish this mix. No one wins in this situation: the artists, labels and fans all lose. As does SoundCloud. Iâm not sure who to blame but I will have to rethink what platforms I am paying to use and which artists I will support in the future.
TL;DR: clueless labels are treating their fans and supporters as criminals and attempting to ruin the next generation of digital platforms for independent artists, making products like SoundCloud less useful.