D.I.Y.

What Music Supervisors Really Think About Indie Music

1 (1)Here performer turned trailer house music supervisor Brian Vickers discusses his experiences having work submitted to him by indie artists, what he takes into consideration when determining whether or not an artist's music has sync potential, and how they are paid if it does.

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In this interview, recently submitted by Renita Holyfield on MusicThinkTank, she uncovers information regarding a trailer house's gate keeping process, providing indie artists with useful advice on the level of quality which their music should be, and how they can be "discovered."

"Music supervisors, such as Vickers, are well-versed in recording engineering, production and performance tactics and equipment. So, it is wise to ensure that when submitting music to any supervisor that the sound quality [mix/master] and music is pretty darn good because they will hear any errors in the sound. This is one of the most important factors of helping your music stand out from the thousands of submissions supervisors receive on a daily basis."

 

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