Drake Redefines D.I.Y. Success With 300K iTunes Downloads In Just Two Weeks
This just in from digital distributor TuneCore:
This just in from digital distributor TuneCore:
Lime Wire is adding CD Baby's catalog of 240,000 independent artists to its digital the LimeWire Store. The CD Baby catalog includes topsellers from Regina Spektor, Gary Jules, Joe Purdy, Ingrid Michaelson, Melissa Ferrick, Charlotte Martin, Colin Hay and Stan Ridgway, and this deal brings the total number of licensed tracks on Lime Wire to 3.5 million.
Continue reading "Lime Wire Adds CD Baby's 240K Indie Artists" »
(UPDATED) Until recently, Pandora accepted music from indie artists at no cost in almost any form including home burned CD-R's. But now, in part because of a deal to display album cover art via Amazon's servers, submissions must be available as a physical CD for sale on Amazon and include cover art and a UPC code to even be considered for airplay.
Compliance with the new rules will cost artists in several ways. According to its FAQ page, to get play on Pandora you now need:
In addition to art and packaging costs, Pandora explains that to comply with the new "available through Amazon" rule, indie artists should join the Amazon Advantage Program. Membership costs $29.95 each year plus Amazon takes 55% of the list price of every CD sold.
Established artists and labels already comply with Pandora's new rules. But for an indie artist trying to win new fans with a little help from Pandora and to keep his hard earned cash by selling direct, the new threshold may shut off an important avenue for exposure.
Continue reading "ReverbNation And Bandzoogle Partner For D.I.Y. Artist Web Site Builder " »
Help Build A Database Of Music 2.0 Success Stories
During every interview, convention panel, startup negotiation or conversation with an industry peer, there is inevitably a moment when someone says something like, "All this talk about social networking, new media and digital marketing is exciting, but does it work? And if it does, where are all the successful artists that have made it because of music 2.0?"
They're not interested in stories of Trent Reznor, Radiohead and Jill Sobule who have maintained and even grown careers using all the 2.0 techniques after leaving a record label who spent hundreds of thousands of dollars trying to break them.These skeptics want to know about artists that have "made it" without ever having the help of a major or even larger indie label.
I usually point out that in an era when only 950 new releases sold more than 25K copies in the U.S. last year, we need to redefine success. Touring, merchandise and direct to fan sales all are part of modern artist income streams. But even after that re-calibration of expectations, the doubters understandably want examples.
They Want Proof? Let's Give 'Em Proof
To answer the skeptics, I'm starting a list of artists that are growing and sustaining real careers in what I like to call the new musical middle class (or above) without label largess. I've included links to articles on Hypebot about each act or to their web site. This very short list is just to get things started. Will you help me add to it?
Continue reading "Let's Prove That Artists Don't Need Major Labels To "Make It" " »
This guest post is from Nick Crocker who runs Native, a digital agency based in
Australia. You can read his blog or follow him on Twitter.
Not every artist needs an A+ online. But everyone needs at least a C-.
The challenge for independent artists, label managers, artist managers and anyone working with artists in online marketing is deciding where to apportion effort.
Am I doing enough online? Should I tweet?
Should I blog on MySpace?
Do I need my own website or is a MySpace enough?
Do I need a Facebook page?
For digital music and music marketing in general to move forward, I think it’s important that some basic standards are established around an artist’s online presence. If these standards are established, music marketers can spend more time innovating and less time worrying about whether the Bebo page has enough of a photo gallery.
If we agree on a minimum standard, then we can define what is exceptional and extraneous.
Digital agency Native has developed an online artist report card to help structure decision-making and reduce the grey area around representing music online.It moves from the basic to the advanced and is intended for all levels of artists.
A threshold: This is the minimum requirement to pass. You need to answer ‘yes’ to questions 1-5.
Continue reading "Your Online Music Marketing Report Card" »
Update your web site. Spend 20 minutes each answering fan emails on MySpace and Bebo. Post your new track to iLike and your Reverb Nation widget. Then there's that live video for YouTube... Its a lot to remember, and which actions are actually acheiving results?
Christopher Lars Carlson has created a simple chart (download a free copy after the jump) to help hold yourself accountable for all the "business" things you should be doing to build a self-sustaining career. "Every artist is different," says Chris Carlson. "Some may see more results from reaching out to bloggers, while others will benefit from hyperactivity on MySpace."
Deluxe and limited editions are one of the new tools in the artist monetization Toolkit that seems to be working. Think of it as music's version of retail up-selling ("Do you want fries with that 99 cent burger?") Nine Inch Nails was one of the first to use it effectively offering versions of a new release from for free to $5, $15, $75 and even $300. Whatever your level of income of interest; there was a product for you.
Topspin is helping to refine the concept of premium music offers with a series of deluxe and limited edition packages, and Topspin's lead guru Ian Rogers has been recording the unboxing of several of them. These clips aren't going to win awards at Sundance, but they provide some insights into this effective marketing and monetization strategy.
And if you're thinking that your band is not "big enough" to start charging fans a premium, then maybe your not thinking enough out of the box about what you'd put into your deluxe box to make it worth buying.
Continue reading "A Look Inside Topspin's Premium Offerings" »
But the band doesn't just embrace "free" with fan burned CD's.
Continue reading "Band Rewards Fans For Burning Their CD And Giving It Away" »
Keeping costs down as you're growing a business is crucial whether your a tech start up or a rock band; and in recent months, Audiolife has been building an infrastructure to help D.I.Y. and indie artists do just that. The company offers a platform that allows artists to create CDs, t-shirts and other merchandise on-demand with no up front costs for sale alongside downloads in a virtual storefront. (Watch a video after the jump.)
Now Audiolife has added fulfillment and warehousing to its menu of services. They can ship as little or as many of their existing products including CDs, merchandise, and posters to the company's warehouse to be stored for a small monthly fee. Audiolife will then ship their items with no extra re-stocking charges.
"We wanted to make sure that we could accommodate any artist at any level of their career, and to do so, we needed to provide warehousing and tour support," Brandon Hance, co-founder and CEO of Audiolife told Hypebot.
Continue reading "Audiolife Adds Warehousing To On-Demand Indie Artist Services" »
Our Call Katy Perry Now post last week led us to service provider SayNow. This free service connects bands with fans via voice mail and text messages. Rapper Soulja Boy regularly connects with 2 million opt-in fans via SayNow.
Continue reading "SayNow Connects Artists To Fans Via Voice Mail & Text Messages" »
Files flying across the net to be mixed in a studio on the other side of world. Mashups. Fan re-mixes. Collaboration in all its forms is almost as much part of music 2.0 as the internet that powers it. Here via the net detectives at the Listenerd are two wonderful examples of the new art of collaboration - the first between many musicians and second with the user.
One complaint about CD Baby's popular indie digital download distribution service has been the inability to sell single song downloads. That's about to change alongside a major site redesign schedule for summer launch. From the blog:
Note: The free and variable pricing options are for downloads sold directly from CD Baby. The site charges 9% for download distribution services.
Continue reading "ReverbNation To Indie Artists: We'll Pay You To Give Away Your Music " »
This index is based on quarterly Internet search activity on Google, Yahoo, AOL and MSN.
Which software do you use and why?
Continue reading "Music Creation Software Popularity Index" »
Now in beta, Loudfeed joins the growing list of artist services sites offering drag and drop websites and widget creation with built-in shopping carts. The company also offers custom development including branded widgets like the ones for myreggae.com created by their team in Sri Lanka.
MUSIC BIZ CAMPS & DIGITAL COACHES
There's not a lot revoltionary going on Loudfeed yet, though with the free one month trial and 0% commissions, you may want to give the service a try. But Loudfeed is going a step father than many of its its competitors by organizing a series of live "unconferences" they're calling MusicBizCamps with the first in Detroit May 21-22. to share their tools and techniques. They want to partner with others to bring their MusicBizCamps elsewhere, as well as, to build a network of digital music coaches to teach artists, labels and distributors digital music marketing.
Most musicians want their band to be discovered. Not by a Universal Music talent scout maybe - that would be so 2005. Nowadays musicians need to be discovered by their fans and using a search engine like Google is the top way that people find out more about anything they're interested in, including music.
But when a fan "googles" Ten Ton Rock Machine do they find a great band or the latest in granite splitting technology? And when the fan finally finds the band, will their MySpace page and an article from the Peoria Rocks blog be at the top of the rankings? Or will they find the band's official web site where they control the message and can capture email addresses?
In an age of too many choices and 10 second attention spans, this stuff matters. Courtesy of Jason Feinberg of PBS' MediaShift blog, here are 7 Search Engine Optimization Tips For Musicians:
Leadership Music Digital Summit 2009 - Mike Masnick keynote address, 3/25/09 from Leadership Music Digital Summit on Vimeo.
Continue reading "Indie Musician Josh Freese On DIY, Variable Pricing, Promo & More" »
People's supports commerce in multiple countries includinig the UK and US. But the problem I saw with the site back in January was lack of selection, and the Universal deal goes a long way towards solving that...
Continue reading "People's Music Store Adds 300K Universal Tracks To Fan Retail Offering" »
COLUMN: You Can Always Go Back To School by Virgil Dickerson of Suburban Home Records and The Vinyl Collective.
When you are on tour, invariably the situation comes up where a would be customer wants to purchase a shirt and a CD (who am I kidding, an LP), they don't have cash, and the ATM machine is either no where to be found or not working. This usually results in the concert-goer going home empty handed, but it doesn't have to.
I know that CD baby has offered bands a device that can make carbon copies of credit cards, but this doesn't help you if the card has no funds.You end up giving that person a free record or shirt when you go to run the card and it comes back declined. I have brought my laptop to events we had set up with the hope that the venue has wifi and I can log into my Merchant Account and use their virtual terminal to run credit cards, but that doesn't always work the best.
Continue reading "iPhone App Adds Mobile Credit Card Processing to DIY Toolkit" »
Continue reading "PayPal MicroPayments May Help Make Direct To Fan Sales Dream A Reality" »
SoundCloud, a net based audio platform that enables musicians to send, receive and distribute music, has received €2.5 million ($3.3M USD) from Doughty Hanson Technology Ventures in its first institutional round of equity financing.
SoundCloud provides a platform to privately exchange music enabling easy studio quality collaboration without any specialist technical expertise. The company was founded in 2007 and since its launch in October 2008 has attracted more than 100,000 registered users.
Two small but significant upgrades should make every indie musician smile.
MySpace has quietly upped the limit on songs that artists can upload from 6 to 10. More artists tools are promised soon, but no word yet on compensating unaffiliated artists for song streams.
CD Baby distributed artists will be able to choose to sell at any of iTunes new variable price points - $.69, $.99 and $1.29 - starting some time this summer. The company will laso begin offering download cards. Let's hope the d.i.y. community handles the opportunity more creatively than the major labels did and delivers some extra value alongside any higher prices.

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