While piracy remains a significant issue in New Zealand, the recording industry is saying that the country's laws make copyrights too expensive to enforce. According to a report by Fairfax Digital's Stuff.nz, only one complaint has been successfully pursued with the country's Copyright Tribunal this year, compared with four last year and 18 in 2013.
Recently Finnish-American singer-songwriter Janita did an interview with Forbes regarding her #IRespectMusic movement, an interview which Forbes later declined to publish. Here Janita examines the reasons behind the reversal of Forbes' decision, as well as providing the original interview in it's entirety.
As carefully calculated and smartly packaged as Taylor Swift is, Miley Cyrus is improvisational and raw. The music industry needs more of both kinds of artists. Each attracts legions of fans and neither is afraid to criticize the establishment. But, lets face it, Miley is way more fun to watch, and she didn't disappoint last night.
[UPDATED] The controversy surrounding music streaming and artist compensation has been earning quit a bit of press lately. Still, the actual process of licensing, publishing, and compensating those involved in music publishing is complex and convoluted. This article offers a clear and detailed breakdown of exactly how music rights and payments work.
Although some claim that now is the best time in history to be a musician, many artists have great difficulty in accessing information regarding the rights and usage of their music. That can be detrimental, not only to their career, but it also makes life difficult for anyone wishing to use their music. Pandora co-founder Tim Westergren weighs in:
Today in part 5 of his series, music business scholar and entrepreneur George Howard continues his exploration of Blockchain technology in a conversation with venture capitalist Any Weissman who shares his vision of how the technology could be used to create a music rights "Nirvana State".
In yesterday' interview with Zoe Keating and previous posts in this series, music business scholar and entrepreneur George Howard explored Bitcoin Blockchain and its potential to revolutionize how music is monetized. Today, he interviews musician, artist and inventor Imogen Heap, who is working on her own Blockchain inspired solution to help creators and the industry.
While there are obstacles to its adoption, Bitcoin Blockchain has the potential to revolutionize how music is monetized. Today, in part three of a series, music business scholar and entrepreneur George Howard interviews musician Zoe Keating who sees the technology as a way to empower the musical middle class.
Yesterday music business scholar and entrepreneur George Howard laid out the basics of what Bitcoin Blockchain is and how it could save the music industry. Today, in Part Two of this must read series he looks at the obstacles
In an era when income is measured in the fraction of a penny earned as music is streamed, shared and otherwise exploited across the globe, proper compensation of creators is an issue of growing urgency. But there may be an answer, if we can understand and embrace it, says music business scholar and entrepreneur George Howard in this first of a must read series on Blockchain and the music industry.
Berklee Institute for Creative Entrepreneurship has released an in-depth study that promotes fairness and transparency in the music industry. "Fair Music: Transparency and Money Flows in the Music Industry,” the report studies the global music business and challenges within the current compensation structure.
Last week, technology news site The Verge published a partial leaked copy of a 2011 contract between major label Sony and leading interactive streaming service Spotify. The contract has since been taken down at the request of the copyright owner, but the reporting, which includes details of the deal, remains.
The Sync Project, a PureTech startup working towards scientifically measuring and harnessing music to improve health, has announced a collaborative partnership with Berklee’s Institute for Creative Entrepreneurship (BerkleeICE). The partnership involves joint original research, course development and an internship program.