Jacobs Media's latest survey of radio listeners, Techsurvey10, finds that "radio is on both sides of the tipping point." That sounds painful but, as it turns out, they're saying that many listeners are still tuning in to broadcast aka terrestrial radio via traditional sources while a growing number are listening to those stations digitally. It's one of the more interesting points of a survey which I feel could use a glossary for those of us who find radio important to the music industry but aren't part of the radio industry.
MusiXmatch has added lyrics to all sorts of places from Spotify to karaoke mics and now to YouTube music videos. This week the fully licensed lyrics company released an extension for Google's Chrome browser that adds lyrics to any YouTube music video for which they have the lyrics which is a lot of songs. Given the popularity of lyrics videos it should be a welcome addition to those who want to follow or sing along while still seeing a fancy music video.
Spotify is changing how it delivers music to users from peer to peer networks to streaming via its own dedicated servers. P2P delivery cut costs for the startup and delivered songs almost instantaneously, both impressive features back when Spotify launched.
Forbes is out with its latest ranking of rich musicians. Diddy again leads a list of 5 Richest Hip Hop artists with his estimated fortune of $700 million, a jump of $120 million over his net worth last year. As with most of the artists on the list, much of the earnings come from ventures outside of cutting new tracks and touring. Here's the full list and what each has banked:
Building on the success of the March release of their free "Smell the D.A.I.S.Y." BitTorrent bundle, De La Soul are rewarding fans with a contest that combines Record Store Day and a classic easter egg hunt in honor of J. Dilla. Every fan who unlocked the BitTorrent bundle by submitting their email address, will receive a message today that limited edition vinyl of previously unreleased material from Dilla has been planted in records stores in select cities.
I love blogging. I would love nothing more than the spend more of my day writing - but sometimes, you just get stuck. I have been on a personal hiatus for exactly one year but have found my way back into writing by finding my inspiration in what's going on around me. What inspires you? What motivates you? What moves you to create the music you create? How do you share those experiences and that music with your audience? Blogging.
I've been posting about creative music videos for the last couple of years at Hypebot. Generally I feature videos using new tech, particularly consumer web apps, to create music videos. Today's batch features a Cut Copy video that utilized 3D printing, a fanshot video by Kodaline using FanFootage and two music videos that use edited GIFs, one from Rob Cantor and one from Ilan Benjamin who created an unofficial video for Tropkillaz.
Yet another story of hypocrisy by the recording industry? Why yes, indeed. For years now, we've been covering the issue of pre-1972 sound recordings. When Congress wrote the 1909 Copyright Act, it did not cover sound recordings, because Congress didn't think that sound recordings qualified for copyright. In a statement released by Congress with the Act, it said it deliberately chose not to cover sound recordings, believing that they weren't covered by the Constitutional limitation on "writings" for copyright protection:
By C. Vincent Plummer, co-founder and social strategist for Bedloo.com
I'm here today with Chris Robley. He's a producer, songwriter, father, and a published poet. By day, he works as the marketing coordinator for CD Baby and BookBaby, where he manages the DIY Musician Blog which sees over 100k unique visits per month...
Rod Kennedy, founder of the Kerrville Folk Festival, died on Monday in hospice care. He was 84 at the time of his passing. Kennedy launched the festival in 1972 as an offshoot of the Texas State Arts & Crafts Fair and the event has since become one of the longest running festivals in the U.S., presenting more than 1,500 artists on its stages over the years. Past performers at the festival include Peter Paul & Mary, Lyle Lovett, Willie Nelson, Michelle Shocked, Mary Chapin Carpenter, Robert Earl Keen, Lucinda Williams, and Nancy Griffith among numerous others.
OpenAura is an interesting new project from IODA founder Kevin Arnold that, most noticeably, aggregates images from musicians' official web presence. Artists can claim those pages or "Auras," add additional content and monetize them. Today OpenAura added The Associated Press, Pitchfork Media and others to the mix. Content owners can add additional pics and info to artists' Auras and join in the hoped for monetization.fest.
You're a smart musician who's got an official website so that you're not just building up somebody else's social network. You check out site states probably emphasizing how many visitors you're getting, where they came from and, as much as you can, why you got sudden surges or drops. Though that puts you ahead of many, there are deeper level to the site stats aka analytics game worth considering. I recently came across a treasure trove of information from Chartbeat that makes a clear case for what to do next.
Collecting music in the digital age is often perceived as an individual problem, which it is because collecting is personal, but it's also a problem for musicians as a whole who benefit from the human compulsion to build collections. Losing a connection to collecting doesn't devalue music as art but it does undermine a force that can help support the business of music. As Gilles Poupardin of Whyd points out companies like his are attempting to create digital spaces for collecting music. While Qleek, a project currently in the design stage, offers an unlikely physical solution that one can use to inspire new responses to such issues.
When the folks at RAIN got a tip that some in the U.S. were able to access EU based streaming music service Deezer on their computer, they reached out for confirmation. Conor Maples, International PR manager for Deezer answered, “The service is not available in the US but we’re offering test accounts to our potential partners and others we may work with. The accounts are activated by us and offered to potential partners by our team.”
Are you using YouTube to it's maximum potential? Odds are, if you're a musician who is not actively using a YouTube channel as an avenue to reach your audience, grow your fanbase, and forge new partnerships, then the answer is no... but you could be.
TuneCore today announced that quarterly payments to artists reached $34.1 million in the first quarter of 2014. The revenue was generated from 1.3 billion downloads and streams, a 75% increase over the same period in 2013.
So far this year, TuneCore added four new stores to its flat fee digital music distribution network: Bloom.fm, Guvera, Akazoo and Anghami.
Bandsintown can now claim 10 million "registered concert-goers." Not sure if that includes registered musicians who also go to concerts but, any way you look at it, that's a lot of people registered for concert alerts and related action. In fact, it's pretty hard to imagine 10 million anything and so Bandsintown has found not just one or even two ways to help you understand their incredible growth. They've got three ways to help you understand what it means to have 10 million customers.
Neil Young's Pono Kickstarter campaign to launch a better-audio player and download store ended today, far surpassing it's original $800,000 goal. $6,225,354 was pledged by 18,220 backers during the campaign. This makes Pono, which will play FLAC or ultra-high resolution recordings, the third most successful fundraising project ever on the Kickstarter platform. Watch the original intro video featuring an all star cast of musicians extolling the virtues on Pono.
StageBloc has become a unique hybrid web service as they've developed from what initially appeared to be a blogging platform to a more complete social platform that provides creators with the tools to do such things as communicate with fans and customers from one's own site, build a social network as part of the larger StageBloc network and sell both digital and physical items. They continue to iterate and this week launched Living Bundles, an innovative digital bundle to which items can be added after the purchase.
Bonnaroo is an innovative festival on many levels. They will be partnering with the new Southland Conference to stage a Hackeroo, a Bonnaroo-focused hackathon, June 9 right before their own festival June 12 to 15. They also recently announced a partnership with the Red Bull Music Academy that will bring RBMA Bass Camp to the festival. RBMA will also have an after-hours stage and will create a special village including permanent facilities.
Gramofon, a $30 - $50 music router and wifi hotspot, has launched on Kickstarter. Backed by Fon, the creator of hugely popular free wifi hotspots, Gramofon connects Spotify, and eventually other cloud muisc services, to home stereo systems. Mobile devices, including those of visting friends, serve as the remote control.