logo
RSS Feed
  • Live Industry News
  • Concerts
  • Tech
  • DIY
  • Topics
    • Apps & Mobile
    • Live & Ticketing
    • Radio
    • Business Of Indie
    • Conventions & Awards
    • D.I.Y.
    • Independent Music
    • Major Labels
    • Music Marketing
    • Music Business
    • Music Tech
    • Music Think Tank
    • Podcasts
    • Publishing & Songwriting
    • Retail & Vinyl
    • Social Media
    • Startups & Funding
    • Streaming
    • YouTube & Video
    • More News
  • Business News
Follow Us on Daily Summary Subscription

Music Business

Music Metadata: The 3 Types and Why The Matter

In the modern digital music economy, getting your metadata ducks in a row is essential for independent artists. In this article, we look at the three types of metadata you need to be aware of.

Guest post by Randi Zimmerman of the Symphonic Blog

Metadata is the foundation of the modern digital music industry. It’s one of the most important things for independent musicians to master. In this post, we’re here to break down the 3 different types of metadata you’ll encounter throughout your career. Here’s what you need to know…

3 Types of Music Metadata

When it comes to metadata, there are 3 main types you need to be aware of:

  • Descriptive Metadata
  • Ownership/Performing Rights Metadata
  • Recommendation Metadata

Descriptive Metadata

Descriptive meta provides details about the content of a recording when it comes to text tags. That includes things like:

  • song title
  • release date
  • track number
  • performing artist
  • cover art
  • main genre, etc.

Every time someone needs to organize, sort, or present the music in some way, descriptive metadata is used. For example, its used to identify it on the radio, to build an artist page on Spotify, etc.

  • You’ve probably encountered butchered descriptive data before. — Ever see a misspelled song name or mixed-up release date on Spotify? That’s due to improper descriptive metadata. As you can imagine, this causes a lot of confusion for, not only the artist, but consumers, as well.

Ownership/ Performing Rights Metadata

Typically, numerous parties are involved when it comes to digital streaming. Whether it’s split between lyricists, songwriters, producers, or all three, the revenue has to be properly split up somehow. That’s where Ownership/Performing Rights Metadata comes out to play.

Ownership metadata’s sole purpose is to make sure everyone involved is getting paid accordingly. Royalty splits are incredibly important and can be complicated as it is, don’t make it even harder by inputting inaccurate data.

——–

Learn more…

5 Reasons You need To Know About Metadata

What Are Split Sheets and Why Are They Important?

Most Common Mistakes Artists Make While Registering Songs

6 Common Questions To Ask An Entertainment Attorney

——–

Recommendation Metadata

Recommendation metadata is a bit different from the other two types of metadata. The other two are clear and definitive. There’s only one song name, one right way to spell the artist’s name, etc.

Recommendation Metadata is subjective.

This data is made up based on how the recording sounds. As you already know, streaming services like Spotify and Soundcloud thrive on their respective music discovery services. However, each platform has its own unique algorithm for doing so, and a different approach to how they input this data.

From mood labels and generative genre tags to song similarity scores, recommendation metadata helps to provide more meaningful connections between tracks and music discovery features to provide better recommendations for users.

In Conclusion…

Metadata is crucial to the music industry. Whether for better or for worse, the impact it can have on a songwriter’s career is substantial. So, what can you do to avoid making any mistakes?

  • Keep track of your metadata from start to finish.
  • Make sure your split sheets are defined BEFORE any work ever leaves the studio.
  • Double or triple check your metadata before you submit it.
  • Follow all guidelines to a “T”.

Releasing music without accurate metadata is like writing a book report and not signing your name. Without accurate metadata, you don’t just miss out on royalties, sales, play counts and more, you miss out on well-deserved credit for your hard work.

To help you out, AFEM and CI have teamed up to create a “Meta Data Best Practice Guide”, and it’s definitely worth checking out. // To download the guide, click here.

admin on 11/02/2020 in Music Business | Permalink | Comments (0)
Tags: Independent Artists, metadata, Music technology
Share on:
Top
Follow Us on Daily Summary Subscription
RSS Feed

TOP TOURS

  1. Katy Perry
  2. Bruno Mars
  3. Coldpay
  4. Adele
  5. Ed Sheeran
  6. Lady Gaga
  7. U2
  8. Linkin Park
  9. Beyoncé
  10. Chainsmokers
  11. Cody Jinks
  12. Bryan Adams
  13. R3HAB
  14. DAYA
  15. Richie Hawtin

TRENDING POSTS THIS WEEK

  • New York kills ticket resale restrictions
  • Live Nation invests $1B in new venues in 18 smaller U.S. cities
  • Free Music Industry Newsletters You Should Be Reading
  • TikTok for Artists Offers New Valuable Music Marketing Tools
  • PROs Exacerbate Inequality Among Musicians [Michael Dorf]
  • Don’t just release it: How to launch music strategically
  • Why Music Fans Are Traveling for Connection, Not Just Concerts
  • TikTok for Artists Guide: Features, Benefits and Why It Matters
  • How to Upgrade Your Online Presence in just One Day
  • Bandcamp offers musicians community and tools to grow
Advertise on Hypebot
  • Company
    • About us
    • Concert Tours
    • Music News
    • Advertise
    • Privacy Policy
  • Tour Dates
    • Taylor Swift
    • P!nk
    • Metallica
    • Apocalyptica
    • Red Hot Chili Peppers
  • Tour Dates
    • Paramore
    • Bruno Mars
    • Green Day
    • U2
    • The Beatles
  • Tour Dates
    • Usher
    • Coldplay
    • Foo Fighters
    • Ed Sheeran
    • Fall Out Boy
  • Music News
    • Apps & Mobile
    • D.I.Y.
    • Major Labels
    • Music Tech
    • Songwriting & Music Publishing
    • Social Media
Copyright 2005-2025 Hypebot powered by

ADVERTISE
Hypebot & MusicThinkTank

With the internet and digital technologies driving rapid change within the music industry, articles about new releases and who has been hired and fired are no longer enough. Our up to the minute industry news alongside insightful commentary helps our readers sift through the rumors and developments to find the information they need to keep their businesses moving forward.

Hypebot is read daily by more than 30,000 music industry professionals including executives and senior staff of music related tech firms, internet based music sites, every major label group and most indies as well as many managers, artists and members of the live music community:

Contact us for the latesst stats, ad rates and sponosorship opportunites. We also offer combined rates with MusicThinkTank.

Testimony

“I swear by Hypebot every morning over breakfast.”
Derek Sivers
Founder, CD Baby

“Hypebot is the most focused music business centric resource we have.”
Celia Hirschman
One Little Indian, Downtown Marketing & KCRW-FM

“Well done.”
Seth Godin
Marketing guru

CONTACT US
subscribe

SUBSCRIBE TO HYPEBOT

Start your FREE subscription to Hypebot today.
Enter your email address to receive Hypebot’s FREE daily summary: