Utopia Lost: Why Digital Music Has Failed Us
Post by Annie Licata (@annie_licata).
There are people immersed in the digital music revolution that have means of grasping and benefiting from technology, but choose to rebel. They rebel against the status quo because it's in their nature, and the status quo right now is technology, and they must resist, if not forsake it.
This takes a conscious effort, because digital music is everywhere. iPhones have become a social norm, and every day there’s a new app to download that promises to personalize your music listening and align the experience with your mood. Everyone has connected Facebook profiles to Spotify now, making it impossible to avoid seeing what music your friends are listening to.
Digital music is being talked about around the water cooler, in the classroom, and on TV. It’s woven into our everyday lives through social interactions, not just through handheld devices and computers. To triumph rebellion against digital technology means turning a blind eye to something wherein the presence and relativity to society grows stronger everyday.
The “digital rebels” are pissed off about where technology is bringing music. All of the things taking the music industry by storm right now are the things they think are flooding our civilization away into a cultureless ocean. Instead of seeing the advances in digital music as headway, they see it as digression — reason to withdraw further and move the needle over a favorite record.
Not everyone is so headstrong. Some people are totally involved with this digital lifestyle, and have embraced it wholeheartedly. They’ve got their entire music library synced to iCloud and grab a DJ post on Turntable.fm whenever they can. They’re always waiting for the next best thing, relishing in their music listening stats on Last.fm and sharing their top artists of the week to Twitter.
There are casual fans, too. Their feet are halfway through the door; partially involved with things like an iPod and Pandora, but don’t utilize the other aspects of digital music. They chose to go along with technology, not necessarily because they want to, but because they have to.
Rebels, on the other hand, forsake technology to preserve the things they hold sacred; the very things that digital music takes away. They're trying to preserve the beauty of not having a “dislike” button to change the song, or the ability to buy only certain songs off an album. They want music to be human, and to be art, and not just a digitized form of communication and technology. Defying the new is empowering to the abandoned.
The rebellious nature of young people, of course, is something that has been around long before the iPhone and Pandora changed the world as we know it. It’s not the first time that new technologies have sparked people to rebel.
Imagine how people had to adjust when the record player, or the tape tech, or the 8-track, became things of the past. Music technology is always changing, and there will always be people to shun those transformations. Nobody has the crystal ball that reveals where technology is taking music, but the digital rebels may be onto something. If digital music is in fact failing society and music as an art form, these rebels are the people still enjoying what’s left of it.
This utopian world of illegally downloading free music and endless streaming libraries of music has left us unappreciative of the quality of music, overwhelming us with convenience and opportunity. The way that we consume music through technology has changed the way we listen, and thus has affected the value of music within our lives. There’s no work involved in consuming music anymore, whether it be finding or listening or sharing — there’s no reward. Technology has stolen gratification in music.
To be able to hear music instantly, and enjoy effortlessly, was the promise of digital music to listeners. Instead, it has created a society of music listeners that push songs, albums, and artists around on a plate with a fork of disdain and a belly already full. Digital rebels are still hungry, and wish for our insatiable musical appetite to not be fulfilled by the intangibility of digital music.
The rise in vinyl sales is peculiar in such a time when almost all music is at our fingertips. Listeners are craving something real and tangible, similar to how people complain that the Kindle doesn’t give readers the same feelings as a book off of a shelf. There was a certain beauty to buying a CD and getting to see the liner notes, or flipping open an album to see what’s inside. Because of the digital revolution, music is no longer something we can touch, only something we can feel. This is the end of an era, and the only people keeping music alive are the ones who refuse to accept new testaments.
Annie Licata is an intern at Hypebot.com, studying Magazine Journalism and Writing & Rhetoric at Syracuse University. She's also the editor in chief of the music magazine 20 Watts. Follow her on Twitter.