Is Your Music In An Art Gallery Or At Ikea? [Best Of Hypebot 2012]

image from www.moas.orgAs the year wind's down, we've been sharing some of our favorite posts of 2012.  This one from David Dufresne, the CEO of band website platform Bandzoogle, appeared on our wonderful sister blog Music Think Tank.

 Imagine a painting that you really like. Imagine that you see that
painting for the first time at an opening in an art gallery (think a
fancy, somewhat pretentious art gallery…). You like the image,
the colors, the technique, etc. You’re impressed. You love that

It would look awesome in your living room, wouldn’t it? You have a
chat with the artist, where she explains the concept and the process
behind creating the painting, the materials used, and what it
means to her. She tells a bit of her life story, and how and why she
became a painter. You have a glass of wine; you discuss the
painting with a few more people. They also like it.


At that moment, the image, on that wall, might be worth hundreds of dollars to you. Maybe even thousands. If you wanted it for yourself, that’s what you would have to pay, and you know it.

OK, now, forget the art gallery. Think of the exact same image that
you like, but imagine if the first time you saw it, it was on a wall at
an Ikea store, on a busy Saturday morning, surrounded by
shopping carts and loud kids. And there are 22 frames of that same
image, lined up in a bin underneath it, for $29.99 each.

You might still think the image would look great on your living room wall. But at that moment, it’s definitely worth a maximum of $30
to you. Or maybe you don’t ever want Ikea frames on your walls
(you big snob)… so for you it’s worth $0…even though you really like
that image! Your “wall real estate” is worth more than the

So ask yourself, how can you explain the difference in perceived
value for the exact same image at the gallery opening, and at Ikea?

Many possible answers here:

  • the perceived scarcity (only one available at the gallery, and others might want it too)
  • the personal connection with the artist
  • the setting (fancy gallery, the free wine)
  • the narrative attached to the art
  • the materials (the original vs. the copy)
  • the branding (maybe for you Ikea = cheap)

The list could go on. That’s the context. The artistic content (the
image) has little value by itself, but, put into context, it becomes
part of an experience. That can be worth a lot (buying original
work straight from a cool artist), or it can be worth little (buying a
frame at Ikea).

Music is the same! The song you just wrote wouldn’t
have the same value if your name was Dave Matthews (or Kanye) and you
wrote the exact same song. Before anyone else has engaged
emotionally with it, I’m sorry but it’s only worth something to you. So,
think about how your music can be valued, in terms of narrative,
personal connections, perceived scarcity, branding, etc. Technology
can help, by helping you create a narrative and a branding on your
website (your bio, your design, your pictures) that make fans
interested to hear more of your music.

Streaming services like Pandora or Spotify can help create contexts
where new fans will discover your music. Communicating with your fans
using your mailing list, blog, Facebook, Twitter, etc. can help
create personal connections that make your fans attach even more value
to your music. You create great experiences when you put on an
amazing live performance, and promote it using online and offline tools.
So, you need to be creative in making art, but also in creating
contexts, and letting others create many and diverse contexts in which
this art can be part of enjoyable and valuable experiences.

Put more simply, your music, by itself, isn’t worth much. It’s when put into context, when it becomes part of your fan’s enjoyable experience, that it becomes valuable.
That can mean someone buying 2 CDs, a t-shirt and a poster at
the merch table, or it can mean someone buying one track for $1.29 on

Art gallery or Ikea? The role of technology tools is to help you
multiply those possible contexts, and monetize them when you can.

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