Taylor Swift, U2, 180 Musicians, 19 Orgs Sign Letter Demanding Digital Copyright Reform [FULL TEXT, LIST OF ARTISTS]

image from superchangeyourlife.comMany in the industry agree that digital copyright laws (DMCA), last updated in 1998, are antiquated. An unprecedented group of artists and music organizations has joined together demanding change.  Unfortunately, their open letter to Congress is short on solutions


180 songwriters and recording artists have joined together to send a message urging lawmakers to reform the Digital Millennium Copyright Act (DMCA).  This open letter to Congress and  ad campaign in The Hill, Politico and RollCall was signed by more than 180 music creators and 19 trade organizations and music companies.

According the the letter, DMCA, which passed in 1998, has allowed technology companies to thrive while devastating the livelihoods of musicians and songwriters. The letter calls for Congress to"find a more equitable balance between the interests of music creators and the interests of the companies who use the DMCA to exploit music for their financial benefit.""

"The current, dramatic imbalance in the law threatens the future of music and has started a groundswell in the creative music community," continues the letter.

Organized by Irving Azoff, the letter comes just as US House Judiciary Committee Chairman Bob Goodlatte (R-Va.) is slated to soon announce a framework for copyright reform legislation following three years of hearings and consultations. "This is just the beginning," said Azoff. "The entire industry is united and committed to pursuing a fair resolution. We are fighting for the future.”  

Nineteen music industry organizations joined the artists in support including A2IM, AFM, ASCAP, Azoff Music, BMI, Global Music Rights, Kobalt, NARAS, NMPA, NSAI, RIAA, SESAC, Sony/ATV, Sony Music, SoundExchange, Universal Music Group, Universal Music Publishing Group, Warner/Chappell and Warner Music Group.

Full text of the letter, followed by the ad which will run tomorrow and including everyone who signed on:


As songwriters and artists who are a vital contributing force to the U.S. and to American exports around the world, we are writing to express our concern about the ability of the next generation of creators to earn a living. The existing laws threaten the continued viability of songwriters and recording artists to survive from the creation of music. Aspiring creators shouldn’t have to decide between making music and making a living. Please protect them.

One of the biggest problems confronting songwriters and recording artists today is the Digital Millennium Copyright Act. This law was written and passed in an era that is technologically out-of-date compared to the era in which we live. It has allowed major tech companies to grow and generate huge profits by creating ease of use for consumers to carry almost every recorded song in history in their pocket via a smartphone, while songwriters’ and artists’ earnings continue to diminish. Music consumption has skyrocketed, but the monies earned by individual writers and artists for that consumption has plummeted.

The DMCA simply doesn’t work. It’s impossible for tens of thousands of individual songwriters and artists to muster the resources necessary to comply with its application. The tech companies who benefit from the DMCA today were not the intended protectorate when it was signed into law nearly two decades ago. We ask you to enact sensible reform that balances the interests of creators with the interests of the companies who exploit music for their financial enrichment. It’s only then that consumers will truly benefit.




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  1. YouTube, nor any other pure-play internet company, owes the music industry nothing. Google, and all of it’s subsidiaries, simply follows established law, and modify their business models according to the competitive environment. The music industry certainly has the right to request (and implement) modifications of the DMCA laws. But that will not be enough at this late date. Internet companies will quickly mutate their models to accommodate their revenue goals, as they do every single day of every year, music industry, or no music industry.
    The current music industry simply needs to learn who to visualize, predict, then stay a BIG step ahead of those modifications in a way that will benefit them. Being a step behind (never mind 30 steps behind), will do the music industry no good, and this latest move is no different.
    Trip Wilkins

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