D.I.Y.

TikTok’s massive music marketing impact confirmed by new study

A new Luminate study shows TikTok’s incredible reach and impact on music discovery, marketing, and monetization.

The fact that TikTok commissioned the analysis may make its findings a bit suspect. Still, even if you shave a few points here and there off for skepticism, the short video platform’s importance to music is undeniable.

Some key findings in the US:

  • 62% of TikTok users pay for a music streaming service, compared to 43% of consumers overall
    • 89% stream music on DSPs, compared to 74% of music listeners overall
  • 8% of TikTok users attended a live music event, and 45% purchased artist merchandise in the past 12 months, compared to 33% and 35% of overall music listeners, respectively.
  • Nearly half (46%) of TikTok users listen to music that is not in English, which is 27% more likely than music listeners overall.
    • This audience is also 33% more likely to consider access to global music extremely important.
TikTok music discovery and streaming insights, highlighting user engagement, global trends, and music monetization strategies analyzed by Hypebot for the music industry.

TikTok was also eager to show its music marketing prowess not just compared to other social media platforms but also to other short video platforms.

+108% increase in TikTok users in the UK discovering and sharing new music on social media and streaming platforms.

TikTok helps music make money

As the charts below illustrate, TikTok can also drive monetization in increased merchandise and concert ticket sales.

TikTok user merchandise purchase rates higher than the average music listener, with 45% of US users buying merch, highlighting the platform's strong influence on music marketing and fan engagement strategies.

TikTok users attend live music events at higher rates than average music listeners, with notable engagement in the US, UK, Indonesia, Germany, and Brazil, highlighting TikTok's influence on concert attendance.

Bruce Houghton is the Founder and Editor of Hypebot, a Senior Advisor at Bandsintown, President of the Skyline Artists Agency, and a Berklee College Of Music professor.

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