Catch up on what everybody has been talking about with last week’s most-read posts. We’ve got topics ranging from an updated guide to Spotify’s engagement features, a startling statistic for musicians, and more…
Friday February 7th, Bandcamp donates 100% to MusiCares, the Grammy backed non-profit providing emergency to artist and industry victims of the LA fires.
Independent live music is under pressure from increased competition and rising costs. To understand what’s needed help, The National Independent Venue Association (NIVA) launched the State of Live survey, a vital economic study of the U.S. independent live sector.
Amanda Davis, a top live sound engineer mixing Janelle Monáe, Ella Mai and others, opens up about her career and what it takes to succeed on the road. From balancing high-pressure moments to mentoring future engineers, she shares the real stories behind her journey.
The US Copyright Office just set the record straight on AI-generated content copyright. and the rulings could change everything for creators. From what can and can’t be copyrighted to the future of AI-assisted works, here are five key takeaways.
The Fix The Tix Coalition of more than 30 live music industry organizations including NIVA, NITO, the RIAA and Bandsintown is calling for major changes to pending TICKET Act legislation including restrictions on speculative tickets, often referred to as ghost tickets.
Spotify loves background music, but it could hurt music culture in the long run. As the AI and passive listening accelerates, dedicated fans and artists may start looking elsewhere.
With the internet and digital technologies driving rapid change within the music industry, articles about new releases and who has been hired and fired are no longer enough. Our up to the minute industry news alongside insightful commentary helps our readers sift through the rumors and developments to find the information they need to keep their businesses moving forward.
Hypebot is read daily by more than 30,000 music industry professionals including executives and senior staff of music related tech firms, internet based music sites, every major label group and most indies as well as many managers, artists and members of the live music community:
