Improving The Press Section Of Your Website

Remarkably, many bands and artists don't have a press section on their website, or may simply have a list of press releases in its stead. Here we look at how. Continue reading

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Spotify Says It Can’t Find The Owners of 217,112 Songs

Spotify recently filed 217,112 "address unknown" NOIs with the U.S. Copyright Office saying that they were unable to locate any owner of these copyrighted songs anywhere in public records.

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Music + Money: What To Invest In And What To Avoid

As artists and musicians, where we invest our money is important. Indeed one of the main reasons those starting out in the music business fail is because they misspend their. Continue reading

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Copyright Office Shakeup Possible Preview To Fight Over Copyright Reform

The suspicious removal of the Maria Pallante from her position as head of the Copyright Office by freshly minted Librarian of Congress Carla Hayden, could well be indicative of further. Continue reading

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Music Publishing News Roundup 10.21.16: Google, Amazon Exploit Songwriter Loophole • Australasian Revenue • Core Rights + SOCAN

Australasian collection society APRA AMCOS reported record revenue of a third of a billion Australian dollars for the financial year 2015-2016.  

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ASCAP Expands Digital Team

The American Society of Composers, Authors and Publishers (ASCAP) has hired Dana Fletcher and David Frigeri their new Digital Team initiative.

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Original Sin,Obama’s Missed Opportunity: What’s In Store For The ASCAP, BMI Consent Decrees?

[UPDATED] Following the DoJ consent decree over 100% licensing, resulting in multiple lawsuits, Chris Castle took a long hard look at where things are likely to go from here.  Late last. Continue reading

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DOJ’s Discordant Decision: A Look At The Ruling And Its Repercussions

On Friday, a federal judge ruled in favor of BMI in its fight with the DoJ over 100% licensing. This piece from attorney Erin M. Jacabson looks the history of PROs,. Continue reading

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This Week In Music Commentary

This week music commentators take to their soap boxes to share their thoughts on why surprise album releases are terrible, the importance of having physical music for sale at your show, and. Continue reading

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Why Apple Music And Tidal Are The Right Business Models With The Wrong Optics

Since Spotify launched in 2010 the music business has been in an existential crisis. Convinced that ad-supported unlimited free access to on-demand music would ultimately grow recorded music revenues the major labels. Continue reading

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