In the latest live music news, the National Independent Venue Association (NIVA) has announced Jim James, frontman for My Morning Jacket, and legendary producer Jimmy Jam will keynote NIVA ’25.
Even as streaming dominates music and the music industry, grassroots and DIY live music spaces remain the heart of real music culture. Learn how they build community and launch careers even in an increasingly algorithm-driven world.
Last week we’ve shared major stories from the stage and beyond, including a critical look at Live Nation by the Wall Street Journal, why concerts tickets are so pricey, ticket resales, the NIVA conference and more.
While the industry scrambles for hits and music venues struggle, smaller themed parties like bardcore raves and underground music venues are building real communities, one chainmail outfit at a time.
This latest live music news roundup includes musicians touring less, a revealing NITO resale study, the UK’s solution to struggling indie music venues, and much more…
Rising costs, low ticket sales, increased competition and strict visa rules are reshaping the touring landscape for artists worldwide. Not all the available data is clear yet, but from major acts to emerging talent, more and more musicians are rethinking touring.
In the latest live music industry news, private equity firm Providence Equity Partners has acquired Rock-It Cargo and its parent Global Critical Logistics. The company provides logistics services to concert tours, sports and other high-profile events.
A new study analyzed concert and album reviews from both fans and critics to find the best artists to see live in 2025. While the methodology might not be the most rigorous scientifically, the results are still quite interesting.
With the internet and digital technologies driving rapid change within the music industry, articles about new releases and who has been hired and fired are no longer enough. Our up to the minute industry news alongside insightful commentary helps our readers sift through the rumors and developments to find the information they need to keep their businesses moving forward.
Hypebot is read daily by more than 30,000 music industry professionals including executives and senior staff of music related tech firms, internet based music sites, every major label group and most indies as well as many managers, artists and members of the live music community:
