Building A Better Hypebot
If you’re a regular visitor on the site, you may notice some changes. We’ve migrated to WordPress and are making some design changes along with it. Please be patient over. Continue reading
Best Practices For Musicians On Triller
Triller, a new music video app/social platform, allows artists to quickly share content professional content with the app’s ten million users almost instantly, thanks to its AI powered editing system.. Continue reading
Will The Copyright Office’s Best Practices Shine Sunlight Unmatched Royalties?
By this point, we’re all aware of the the pile of cash from unmatched royalties which digital services are hoarding, commonly known as the ‘black box.’ Now, with the copyright. Continue reading
Post Malone’s Rise Through Entertainment Marketing
Who would have thought a scraggly-bearded 24- year old all the way from Grapevine, Texas would become one of the biggest hip-hop acts today? Born Austin Post but adopting the. Continue reading
Lickd: Monetizing Music On YouTube
Lickd is a platform that allows YouTube creators to easily license commercial music by paying a simple one-off fee. We interviewed CEO Paul Sampson about how creators are using the. Continue reading
How Trends In Mastering Could Impact Your Sound
Mastering has changed greatly since the early days of recorded music, evolving and developing over time to keep pace with styles and trends in the business. Here Michael Hahn explains. Continue reading
This Is The Music TikTok Users Want To Hear
As TikTok continues to grow as a social media powerhouse, the platform has already made more than a few careers. That said, user preference is allowing only certain types of. Continue reading
Musicians: If You Don’t Care Enough, Hire Someone That Does
You need to care about your career as a musician. It all seems obvious. But this week, Jay Gilbert and Michael Brandvold share their encounters with musicians – from those. Continue reading
