Live Nation reported as strong Q2 on Thursday. Here is a recap of how it and major live music stocks performed during the week ending Friday, August 8, 2025, along with a comparison to the broader stock market.
Calling musicians everywhere to check out this week’s Independent Musician News with the top guides and tips to finding success in such a competitive industry… Independent Musician News
A study by “data-analytics firm” Automatiq for self-proclaimed “consumer advocacy group” Protest Ticket Rights claims that fans saved $414 million last year. They saved this amount by buying tickets on resale marketplaces.
Releasing music without a plan in 2025 is a fast track to getting buried in the noise. Learn how to build a smart, step-by-step music release strategy that gets music heard and keeps momentum going long after release day.
Performing Rights Organizations (PROs) like ASCAP, BMI and SESAC collect fees from venues that play live or recorded music and distribute them to Artists. Learn how to report setlists to PROs and increase your chances of getting your share.
Releasing music in the streaming era takes more than just great songs. Find out how singles, EPs, and albums each play a unique role in growing your audience, building momentum, and defining your sound. What is the right music release format for you?
After decades of investing in human talent, does the music industry really want to replace talented songwriters, artists and producers with an AI music designer to save money and speed up production? UMG seems to be saying yes, writes Bobby Owsinski.
Have we reached peak ticket presale or is Vivid Seats just not as good is its competitors? The company is clearly struggling, reporting that its marketplace ticket resales fell to 2.2 million compared to 3.1 million in Q2 last year.
Your most valuable Spotify fans aren’t just streaming, they’re fueling your growth and income. Here’s a guide on how to attract, retain, and activate super listeners to level up your audience and grow Spotify streams.
With the internet and digital technologies driving rapid change within the music industry, articles about new releases and who has been hired and fired are no longer enough. Our up to the minute industry news alongside insightful commentary helps our readers sift through the rumors and developments to find the information they need to keep their businesses moving forward.
Hypebot is read daily by more than 30,000 music industry professionals including executives and senior staff of music related tech firms, internet based music sites, every major label group and most indies as well as many managers, artists and members of the live music community:
