Everything you need to know about going to AMERICANAFEST
Thinking of hitting up Americanafest in Nashville this year? If it’s your first time, don’t stress! Here’s a rundown of everything you need to know before you go. Check out. Continue reading
2024 Grammy eligibility entries close today!
The deadline to submit music to be eligible for the 2024 Grammys is today, Thursday, August 31st, and we’ve got info on the online entry process that you must use. Continue reading
Looking for a Job in the Music Business? Here is where to start.
How do you get a job in the music business? This might be one of the most common questions that Mike Brandvold and Jay Gilbert are asked. On a new. Continue reading
How indie artists can unlock the massive Brazilian music market
With a population of 214 million, the Brazilian music market is great for artists to find new fans. Learn more about how you can get started regardless of the genre.. Continue reading
How to network and gig swap to book a better tour
Learn how to expand your professional reach by networking with other musicians and professionals and mastering the important art of gig swapping. by Adam Percy from Bandzoogle No matter your. Continue reading
You’ve written a song, now what? How to sell your music
Making great music is only half the battle. Here’s how to get your songs off your computer and into the hands of your fans. by Philip Kinsher of Disc Makers. Continue reading
How AI will affect artist and songwriter copyrights [Paul Goldman]
Paul Goldman, a leader in digital music rights management, sheds light on how we can expect AI to affect the copyrights of artists and musicians. by Paul Goldman, founder of. Continue reading
Music Analytics: How Data is transforming the Music Industry
Technology has given the music industry a whole new world of possibilities, including how to study how fans listen to music. Tero Potila looks at the history of music analytics. Continue reading
Misaligned incentives make the music business a zero-sum game [MIDiA’s Tatiana Cirisano]
The goals of music’s major stakeholders – labels, DSPs, and artists – no longer match, turning the music business into a zero-sum game, writes Tatiana Cirisano of MIDiA Research. by. Continue reading