Amanda Davis, a top live sound engineer mixing Janelle Monáe, Ella Mai and others, opens up about her career and what it takes to succeed on the road. From balancing high-pressure moments to mentoring future engineers, she shares the real stories behind her journey.
Ready to amplify your promo efforts but unsure how to move forward? This free masterclass on SubmitHub strategies is the ultimate resource for anyone looking to sharpen their skills. Here’s everything you need to know…
The US Copyright Office just set the record straight on AI-generated content copyright. and the rulings could change everything for creators. From what can and can’t be copyrighted to the future of AI-assisted works, here are five key takeaways.
The Fix The Tix Coalition of more than 30 live music industry organizations including NIVA, NITO, the RIAA and Bandsintown is calling for major changes to pending TICKET Act legislation including restrictions on speculative tickets, often referred to as ghost tickets.
Spotify loves background music, but it could hurt music culture in the long run. As the AI and passive listening accelerates, dedicated fans and artists may start looking elsewhere.
Spotify stock surged Tuesday after the streamer announced a Q4 report that ended its first year of profitability with strong growth across most key metrics.
Hitting the road used to be a rite of passage for artists and how most earned a living. But now the majority of musicians can’t afford to tour. With rising costs and fewer paying venues, only the biggest names are making money while everyone else is struggling or staying home.
With the internet and digital technologies driving rapid change within the music industry, articles about new releases and who has been hired and fired are no longer enough. Our up to the minute industry news alongside insightful commentary helps our readers sift through the rumors and developments to find the information they need to keep their businesses moving forward.
Hypebot is read daily by more than 30,000 music industry professionals including executives and senior staff of music related tech firms, internet based music sites, every major label group and most indies as well as many managers, artists and members of the live music community:
