> ## Content Index
> Fetch the complete content index at: https://www.hypebot.com/llms.txt
> Use this file to discover other available public pages before exploring further.

# Would You Pay $2K To Be In A National Magazine? The Story of Megan Jean and the KFB
- URL: https://www.hypebot.com/would-you-pay-2k-to-be-in-a-national-magazine-the-story-of-megan-jean-and-the-kfb/
- Published: 2013-07-12T11:58:00.000Z
- Updated: 2013-07-12T11:58:00.000Z
- Description: Guest post by indie artist Megan Jean of Megan Jean and the KGB. Recently, my band Megan Jean and the KFB was contacted by Relix Magazine to be included on. Continue reading [https://www.hypebot.com/hypebot/2013/07/would-you-pay-2k-to-be-in-a-national-magazine-the-story-of-megan-jean-and-the-kfb.htm
- Author: Bruce Houghton
- Tags: DIY Advice & Tips, Music Marketing, business, Compact disc, Do it yourself, KGB, Megan Jean, Music magazine, Relix, United States, #wp, #wp-post, #Import 2026-01-21 10:43

[![image from i1.ytimg.com](http://hypebot.typepad.com/.a/6a00d83451b36c69e20191043140c2970c-200wi "image from i1.ytimg.com")](http://hypebot.typepad.com/.a/6a00d83451b36c69e20191043140c2970c-popup?ref=hypebot.com)

Guest post by indie artist [Megan Jean](https://twitter.com/meganjeankfb?ref=hypebot.com) of [Megan Jean and the KGB](http://www.meganjean.net/?ref=hypebot.com).

Recently, my band Megan Jean and the KFB  
was contacted by Relix Magazine to be included on a sampler CD they include  
with all of their issues, which boasts a readership of of 360,000 people  
worldwide. They said they loved our music over there at Relix, and we thought  
that was awesome. Their magazine is all about breaking up-and-coming bands, and  
has been doing so at a grassroots level for decades.

They courted us as  
Musicians, under the pretext that they were interested in our material. The  
first thing I should point out is that this man's job title at Relix is  
"Senior Sales Executive," not "Journalist." I wrote back,  
curious what they would need from us, if we were in fact interested. Then came  
the sales pitch:

>  

[![image from larrykeel.com](http://hypebot.typepad.com/.a/6a00d83451b36c69e201910431439e970c-150wi "image from larrykeel.com")](http://hypebot.typepad.com/.a/6a00d83451b36c69e201910431439e970c-popup?ref=hypebot.com)

**"The CD comes bound inside every issue*  
**we print (over 100,000 copies). Tracks normally run for about $3,000\. HOWEVER,*  
**as a first time advertiser I would like to offer it to you for $1,800.*  
**Basically a steal considering its going to hit thousands of ears across the*  
**country. I can package the track with an On the Rise spot for a total of*  
**$2,000\. The On the Rise spot is about the size of a business card and can*  
**contain the images of your choice, text and website of your choice. The track*  
**will also come with a 50 word bio in the magazine and will be placed on [Relix.com](http://relix.com/?ref=hypebot.com) to be streamed for free, so*  
**there is an online component as well….Also, each track that is submitted has*  
**the opportunity to have that album reviewed and placed in our album review section….Only*  
**catch is, we would need a really quick turnaround…we master and burn the*  
**compilation this coming Monday!"*

Now the Musicians are being courted as  
First-Time Advertisers, with no more mention of our music, or our talent. The  
exchange had changed course, from feeding on the hopes and dreams of a  
struggling musician, to presenting a "deal" for a first-time  
advertiser. Well, which category do DIY musicians fall into? Are we struggling  
artists, desperate enough to believe a well-known music magazine like Relix  
would or could ever simply stumble across our music and \*gasp\* like it enough  
to give it a break? Or, are we small business owners who know and understand  
the value of advertising and paid placements in well-read trade magazines?

[![image from www.meganjean.net](http://hypebot.typepad.com/.a/6a00d83451b36c69e201901e3b1773970b-350wi "image from www.meganjean.net")](http://hypebot.typepad.com/.a/6a00d83451b36c69e201901e3b1773970b-popup?ref=hypebot.com)

Realistically, DIY musicians need to be both, but Relix is hoping for the  
former, which is exactly why they use this classic ACT NOW sales tactic. They  
are counting on your desire to have your music heard at all costs, so they  
couple it with a rushed 5-day deadline will make you jump on a coveted spot  
that had "opened up," and normally wouldn't even be offered to you.  
The trick is to look not at the offer, but at WHO is offering it. Is it a sales  
rep, or a journalist?

I have no problem with paid placements, but I  
think both music-makers AND music-lovers need to be aware of their existence in  
major music publications. I also have no doubt that there is some measure of  
legitimate exposure that comes with paying to be included on such a sampler.  
The issue I take with this practice however, is that it's predatory and  
dishonest, not only to the bands who believe they are being contacted on the  
merits of their music, but also to the readership who believe that Relix Mag  
dutifully seeks out and promotes the finest up-and-coming bands in America.

Relix magazine's tagline is "It's all about the music," and not  
"It's all about who paid enough for us to write about them." Keep in  
mind, Relix was started in 1974 as a newsletter to connect people who  
bootlegged Grateful Dead concerts. With offers for paid placements in "Up  
and Coming" articles and album reviews written for a fee, just how much of  
Relix nowadays is comprised paid placements? Moreover, as a band, is that the  
kind of music-mill press you'd like for your yourself? As a music-lover, is  
that the kind of music you'd like to be listening to from a magazine you turn  
to for inspiration? As far as bands considering this sort of offer, reach out  
to other bands who have been featured, and ask them if they thought it was  
worth the money. I guarantee you'll get a better picture that way. If you feel  
the exposure is worth the price tag, and you have those resources available to  
you, then it's more of a calculated risk than a swindle.

[![image from thumbs.dreamstime.com](http://hypebot.typepad.com/.a/6a00d83451b36c69e2019104314270970c-150wi "image from thumbs.dreamstime.com")](http://hypebot.typepad.com/.a/6a00d83451b36c69e2019104314270970c-popup?ref=hypebot.com)

A Look At The Numbers

But first, consider  
all the things $2000 will buy your DIY band (for us, that's 2000 cds, which  
sold at $10 a piece will net us $18K in profit, a much tidier sum). $2000 is  
also roughly the cost of a small online content-marketing campaign though a PR  
agency, which might also be a more organized, genre-specific, and focused way  
to to get your music heard.

As to the larger and more philosophical  
questions raised, as to where to pour your heart out for a price, and where to  
turn to for inspiration? I find it's all a lot closer to home than you think.  
Local blogs at local venues and festivals, that's where you'll get your best start.   
After all, it's music *fans* that build a career, not paid  
placements.

[![Enhanced by Zemanta](http://img.zemanta.com/zemified_h.png?x-id=8ce3335a-07de-4ec1-8fd7-88a8377c4411)](http://www.zemanta.com/?px&ref=hypebot.com "Enhanced by Zemanta")