Spose, an indie rapper from Portland, had a brief major label experience that did not end well. Except that it did. By that I mean, he saw that the major labels weren't for him, got dropped and then turned their publicity for what they thought would be a easily manipulated act into a way of reaching core fans. Now he's earning a solid living without having to give up almost everything about hip hop that he loves.
Spose recently posted about his major label experience and how that enables him to now earn a decent living as an indie artist. While we see many legacy artists basically doing the same thing, emerging artists that get dropped from major labels often have difficulty recovering. Spose sure didn't.
Some of the details are a bit sketchy but here are key highlights:
It Began With Local Radio
"My song blew up on the radio first. âIâm Awesomeâ got played at my local alt. rock station, which was that station I grew up on. It quickly became the most requested song there, and then jumped to the local pop station."
And Selling Tracks on iTunes
"The way the world works now if youâre blowing up on the radio youâre killing in iTunes too."
Regional iTunes Sales Noticed by A&R [or an intern]
"So this intern looks at the Portland sales and sees that Iâm the #1 tune. I doubt I cracked the top 200 nationwide, but that was enough to get their attention."
Getting That Signing Bonus
"At this point, Iâm 24 years old and totally broke with a new kid on the way. The day Universal sent me a $35,000 check for signing on with their label, my bank account was at -$800. I couldnât even buy gas for my car."
Discovering He's There To Be Productized
"I thought universal wanted me, my style and my music. But they just wanted to take my name, my sorta-notoriety from one hit, and plug âSposeâ into a bunch of pop songs."
Becoming a One Hit Wonder
"My first big video âIâm Awesomeâ got something like ten million views. When the single released on iTunes 850,000 people actually paid to download it."
After Being Released from Universal
"I released the songs Universal hadnât wanted in a free album called Yard Sale, and used that to advertise my Kickstarter. It brought in $28,000. And now that I have that small, loyal fan base Iâm able to keep releasing music thatâs uncompromised."
Keeping Enough Fans To Make A Living
"When I released my Mixtape recently, about 8,000 people bought it. So I was able to keep like, 1% of my fans paying. Just do the math: if you put out something for $10, and 8,000 fans buy it, thatâs enough to sustain you as a musician."
Indie Dollars Add Up
"Iâve made as much money in the last 3 years as Universal ever gave me."
Turn Their Blockbuster Machinery To Your Advantage
While others drop into a drunken stupor cause "Daddy [aka Big Record Label] didn't like my music and cut off my allowance," Spose built his own empire.
And enough of those fans BUY his music that he's doing just fine.
Hat tip to Techdirt for the alert.
Hypebot Senior Contributor Clyde Smith (Twitter/Facebook) is currently relaunching All World Dance. To suggest topics about music tech, DIY music biz or music marketing for Hypebot, contact: clyde(at)fluxresearch(dot)com.