Jack White’s Effect On The World Of Vinyl
By Hugh McIntyre of the Sonicbids Blog.
Last week, Jack White secured another number one album, with his latest Lazaretto starting off in the top spot. The title is White’s ninth to reach the top ten, and his second to reach number one (the other being his first solo album Blunderbuss).
Lazaretto sold 138,000 copies, with 40,000 of those being vinyl. It is important to note how many from that total were records, as this marks the largest sales week in vinyl for any title since SoundScan began collecting data in 1991.
If you’re thinking of picking the album up, you might want to consider spending the extra few dollars and getting the vinyl, as White has taken the medium to places it’s never been before. Lazaretto is no ordinary record – it's chock full of special features and unique qualities never before associated with vinyl.
The list of eccentricities available on Lazaretto is long, but here are a few that are really fascinating – the kind of thing record aficionados will truly get excited about:
Side A has wax with no grooves on the inside, where there is a hologram originally etched by hand by artist Tristan Duke.
There are two hidden tracks that can only be played by removing the label in the center of the record.
The song "Just One Drink" actually has two intros, one electric and one acoustic. Depending on which groove you place the needle on, one of them will play. To hear both, you must fiddle around and try to find the other groove.
- After playing with the two intros for "Just One Drink," they eventually find one another, joining for the actual song (so you’ll hear the same song after whichever intro you choose).
The album plays from different starting points on each side, with Side A playing from the inside out and Side B playing normally.
Lazaretto is a three-speed record, as the two bonus secret songs are played at different speeds. One must be spun at 45 RPM, the other needs 78 RPM, and the rest of the album plays at a different speed.
The vinyl has a different running order than the CD and digital editions.
As of this year, vinyl is now the only form of purchase-to-own music that is seeing sales growth. It’s no surprise that CDs have all but gone the way of the dodo (one week this past January saw only 4.25 million CDs purchased in the US – the smallest one-week amount since sales have been measured), but you may be shocked to learn that now digital track downloads have begun to fall as well.
So if you’re interested in selling your music, you may want to look into pressing some vinyl. And if you decide that's a route you and your band want to take, start doing your research now. Vinyl typically costs 30-50% more than a CD and even more than a download, so adding special features can help customers justify spending the extra dough. While vinyl is certainly an art form (especially after what Jack White has done to it), this is all about business!
[Photo by Jo McCaughey]