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4 Legal Basics For The DIY World: Artists, Authors, Creators, & Musicians

Here, entertainment lawyer and industry veteran Wallace Collins breaks down the four legal essentials for do-it-yourself creatives navigating the choppy legal waters of copyright and publishing. Guest post by Wallace. Continue reading [https://www.hypebot.com/hypebot/2020/02/4-legal-basics-for-the-d

Control surface with faders, buttons, and knobs used in music production and audio mixing, captured in close-up.
Audio mixing and music production equipment featuring faders and control buttons, ideal for professional sound engineering.

Here, entertainment lawyer and industry veteran Wallace Collins breaks down the four legal essentials for do-it-yourself creatives navigating the choppy legal waters of copyright and publishing.

Business music industry analytics and digital marketing insights for artists and music professionals from Hypebot.

Guest post by Wallace Collins

1) Copyright Protection
Under  US copyright law, copyright (literally, the right to make and sell  copies) automatically vests in the creator the moment the expression of  an idea is “fixed in a tangible medium” (in other words, the moment you  write it down, type it or record it on tape). With respect to music  specifically, there are really two copyrights: a copyright in the  musical composition owned by the songwriter and a sound recording  copyright in the sound of the recording owned by the recording artist  (but usually transferred to the record company when a record deal is  signed). It  is important to remember that you own the copyright in your work the  moment you write it down or record it, and you can only transfer those  rights by signing a written agreement to transfer them. Therefore, you  must be wary of any agreement you are asked to sign.

Although  it is not necessary, it is advisable to place a notice of your  copyright on all copies of the work. This consists of the symbol “c” or  the word “copyright”, the author’s name, and the year in which the work  was created (for example: “(c) John Doe 2017). The  filing of a copyright registration form in Washington D.C. gives you  additional protection in so far is it establishes a record of the  existence of such copyright and gives you the presumption of validity in  the event of a lawsuit. Registration also allows for lawsuits to be  commenced in Federal court and, under Federal law, allows an award of  costs and attorney’s fees to the prevailing party (and you can register  on-line or by mailing in forms with submissions). Currently, the filing  fees are low enough to make registration well worth while. www.copyright.gov

2) Trademark Protection for Your Name
Trademark  rights are rights in a name or logo which indicate source or quality.  Such rights are based on “use” of the mark and vest in the owner when  the mark is first used in connection with goods or services. Although  the title of a work is not protected by trademark, these rights are  applicable to names used by actors, musical performers, DJs and  companies. The more unique the name of your company, product or band is, the more easily protection is available for it as a trademark.

The  best way to protect yourself is to file a Federal trademark  registration application, since registration will give you a presumption  of ownership of the name nationwide. Before  investing too much in your prospective trademark, however, it is a good  idea to order a trademark search to make sure no one else has been  using the same or a confusingly similar name before you. You can do this  through a combination of on-line researches, through your lawyer, or by  contacting a searching service. With  respect to the name of a performer or band, keep in mind that a mere  search of current Federal trademark registrations may be insufficient.  It is best to conduct a full statewide search as well as a search of the  copyright office records in order to find any songs which may be  copyrighted in a band’s name. This is important because trademark rights  are based on “use.” Therefore, even if another user does not file for  Federal trademark registration, certain rights vest in that user under  state law when they start using the name. This has led to problems in  the past. For example, when you go to release your record or film  worldwide you may find that someone else has been using the name of your  band or film company in, say, Illinois. If they were using the name  prior to when you first started using your name then, under state law,  that user could prevent you from releasing your record in that state.  The usual solution to such a problem is to buy out that users rights,  but this can be costly, or enter into an agreement to alter and  distinguish the names (e.g., Squeeze/Squeeze UK; Dreamworks, Dreamworks  SKG.

Once  you have determined that no one else is using your name, the next step  is to file an application for Federal trademark registration in the US  Patent and Trademark Office. Registration provides nationwide protection  as well as the presumption of validity for lawsuit purposes, as well as  legal fees and additional damages for infringement. www.uspto.gov

3) To Incorporate or Not to Incorporate
As  a practical matter, sooner or later you may want to incorporate in  order to limit your personal liability. When you incorporate your  business you actually create an entity separate from yourself which will  have its own bank account and tax identification number. If you operate  properly as a corporation (i.e., signing documents as an officer of the  corporation rather than as an individual, using a separate bank  account, etc.), then, as a general rule, only the corporation is liable  for the obligations of the agreements the corporation makes. The easiest  example of how this protects you is if you imagine a situation where  your corporation pays you a salary of several hundred thousand a year  for several years. Over the years you use that salary to buy a house, a  car, and a boat. Then one day catastrophe strikes and the corporation is  sued for millions or goes bankrupt. Although the creditors could take  the assets of the corporation, they could not pierce the corporate veil  and force you to sell off your house, your car and your boat (Imagine:  even when Chrysler went bankrupt Lee Iacocca did not give up any of the  assets which he had purchased with his salary. In fact, he kept right on  getting a salary from the corporation). If  properly employed, a corporate entity can be used as a shield to  protect you. In most cases, however, it is not really necessary to  incorporate at the start of your artistic career. The law does require  that, if you use a name professionally other than your personal name,  then you should file a Business Certificate (or “DBA”) in the County in  which you reside or do business under that name. A DBA is necessary if  you want to open a bank account in your professional pseudonym or group  or company name. The DBA form is available in stationary stores or at  the county clerk’s office.

There  are also tax advantages to operating as a corporation. As an individual  making in excess of  a certain amount, as set by the IRS, even if your  write-offs and deductions reduce your income substantially you will  still be subject to the “alternative minimum tax’ under current law.  However, as a corporation, you are entitled to take the deductions and,  as an individual, you are only subject to standard tax on the amount  which passes through to you individually. Also,  as a business matter, the individual members of a group or company may  want to enter into a partnership agreement between and among themselves  in order to spell out the particulars with respect to certain rights  such as songwriting and ownership of the trademark rights in the name.  Otherwise, any group of two or more persons operating a business for  profit is considered a partnership for the purposes of applying the laws  of partnership under the laws of most states. These laws generally  employ a rule of sharing evenly in profits and losses, including all  assets of the business

4) Signing Contracts
Never  sign any contract given to you without having your lawyer review it  first. Do not rely on anyone else (or even their lawyer) to tell you  what your contract says. And never let anyone rush you or pressure you  into signing any agreement. There is really no such thing as a standard  “form” contract. Any such contract was drafted by that party’s attorney  to protect that party’s interests. Your lawyer can “translate” the deal  and explain its terms to you, and then help negotiate more favorable  terms for you.

Keep  in mind that it may, in fact, be in your best interest to “get it in  writing” if you have an arrangement with someone. This is especially  true in collaborative situations. Otherwise, you run the risk of a  disagreement later over the actual terms of the oral agreement, and it  becomes your word against that of the other party. That is not to say  that an oral agreement is not a binding contract (as Kim Basinger  recently found out). It is just that a contract is easier to prove if  the terms of the arrangement are in writing. A simple contract may not  necessarily require extensive involvement by lawyers. A contract can be  as basic as a letter describing the details of your arrangement which is  signed by both parties to the agreement.

As  a general rule, you should consult with a lawyer if you are asked to  sign anything other than an autograph. Too many aspiring artists want to  get a record deal so badly they will sign almost anything that promises  them a chance to do it. Even successful careers have a relatively short  life span. Therefore, it is important for you to get maximum returns in  the good years and not sign away rights to valuable income like  publishing. Everyone  needs someone to look out for his or her interests. That is why, at the  end of the day, you may want to consult with an entertainment lawyer.  Meet with several lawyers to find one whose vibe is right for you. If  you believe in yourself and your talents, give yourself the benefit of  the doubt, and invest in good legal representation.

Wallace Collins is an entertainment and intellectual property lawyer with more than 30 years of experience based in New York. He was a recording artist for Epic Records before receiving his law degree from Fordham Law School. Tel: (212) 661-3656; www.wallacecollins.com