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Guest Post by Phil Canning of The Orchard on The Daily RindIt sounds so simple. You are a record label. You own some recordings, meaning, you have a contract that proves that you own the master rights to some recordings. You send — or have a representative like The Orchard send — your metadata to SoundExchange (SX) to register your sound recordings. You get paid from SX (or from SX via The Orchard) when your recordings get played on Pandora, SiriusXM, iHeartRadio, etc.What could go wrong with this process? A lot, unfortunately.- SX may be getting garbage reporting (no ISRCs, no UPCs) from the services that report to them, thus making it difficult for them to match reported tracks to their database, which may result in a mis-allocation of the funds received.
- SX may receive good reporting from the streaming services, but may not know how to match those royalties to the correct rightsholder. This is because SX’s database is full of multiple instances of THE SAME SONG. That’s right. Was your song on a compilation? Do many versions of the recording exist? All of those recordings were likely registered in SX’s database, increasing the odds that SX will match the ACTUAL recording played to the wrong rightsholder.
- Another company has laid claim to your recording.
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