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Guest post by Bobby Oswinski on Music 3.0Many artists are tempted to just rely on a Facebook or Tumblr page as the main online point of contact, but that strategy can have a number of unforeseen problems. Here’s an excerpt from my Social Media Promotion For Musicians book that explains why an artist’s online presence should be more than on social networks.“Unfortunately, a website many times gets overlooked as an integral piece of your digital promotional life because there are so many other places that you can use as your online focal point. Having a Facebook page or Tumblr blog, or relying on another social network as your online central focus has a number of potential flaws, not the least is control of your message. Let’s look at three scenarios where relying on a social media site as your main contact point can prove disastrous.- Scenario #1: Our first scenario is a real-life example of a band I’ll hypothetically call “The Unknowns,” since one of the band members asked me not to reveal their true name. During the heyday of MySpace around 2004 the band was hot and eventually developed a following of over 900,000. This led to a number of record labels becoming interested (remember that they sign you for your audience, not your music), with the band eventually signing a big deal with one of the largest major labels at the time. The label immediately told the band to suspend their MySpace account because “we can do all that better in-house than you can.” In typical record company fashion, the label ultimately did very little for the band’s online presence. They did create a new slicker label-managed MySpace account, but they were not able to transfer any of the band’s previous followers, thus leaving them with a presence that was far less than they had before they were signed. Of course, when The Unknown’s album was released they had no way to alert those 900,000 followers since they didn’t have any of their email addresses, and they didn’t even have a website where their fans could go in order to discover the latest news about them. Needless to say, the album bombed and the band was dropped from the label. They never recovered that massive fan base that they had before they were signed.
- Scenario #2: Let’s say that you’ve cultivated a huge following on Facebook. What would happen if Facebook was purchased by EXXON (highly unlikely, but let’s pretend), who decides that all it wants is the underlying technology of the network, and shuts the rest down? If you didn’t capture the email addresses of all your followers, you’d lose them to the nothingness of cyberspace. Don’t laugh – a scenario like this could happen, but most likely on another smaller network.
- Scenario #3: What would happen if Facebook (I’m picking on them because they’re the big dog on the social block) changes its terms of service, and now charges you $.25 for every fan past 100? If you’re lucky enough to have 8,000 fans, it’s going to cost you $2,000 to continue. Or what if they decided to limit everyone’s fan connections to 100? Both are unlikely, but something similar could happen, where suddenly you’re unable to access that large fan base that you’ve worked so hard to develop.
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