The arrival of Beats 1 could spell the return of 'monoculture' and the reunification of the music listening experience, as the focus of listeners shifts from the artists and back to their music. Is that good or bad?
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Guest Post by Alaister J Moughan
I hadn’t even really thought about it. After enduring an iOS update, I saw the Apple Music icon. This must be the whole Beats 1 thing I thought. About to leave for the 4th of July liquor run I decided to give it a listen.
As luck would have it, I tuned in just before the transition to Q-Tip’s ‘Abstract Radio.’ Over an hour of intermittent listening, I heard an eccentric mix of Fetty Way, Bully, Nas, Tears for Fears, Level 42 and A$AP Rocky among others. Or as Q-Tip sells it “not the old school not the new school only the good stuff.”What struck me was that, for once in my mobile listening life, I wasn’t the only one listening to these tracks at the same time. Not only was the variety of music inclusive but so was the timing. This inclusiveness channels the “unifying potential” we got used to in the ‘Monoculture’ of the 90s. In the New York Time’s profile of Beats 1 Ben Sisario talked about Trent Reznor’s rationale behind the Beats 1 inspiration: Hearing Mr. Lowe’s BBC show while on tour, Mr. Reznor considered the live, communal experience of an audience tuned in to the same songs. “I wondered if in today’s world there is still a place for monoculture.”The internet’s notorious, almost infinite, attention divide is slowly phasing out the ability of ‘music moments,’ most notably music albums, to sell in huge numbers but also something more ephemeral. As early as 2011 Toure’ comisrated the “collective roar” that followed albums like ‘Thriller’, ‘Nevermind’, ‘Purple Rain’ and ‘It Takes a Nation of Millions to Hold Us Back:’“Those Moments made you part of a large tribe linked by sounds that spoke to who you are or who you wanted to be. Today there’s no Moments, just moments. They’re smaller, less intense, shorter in duration and shared by fewer people. The Balkanization of pop culture, the overthrow of the monopoly on distribution, and the fracturing of the collective attention into a million pieces has made it impossible for us to coalesce around one album en masse. We no longer live in a monoculture. We can’t even agree to hate the same thing anymore”Related articles






